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    Home»Film»Film News»Varèse Sarabande to Release New Expanded-Edition of Robert Rodriguez’s SIN CITY Soundtrack
    Film News

    Varèse Sarabande to Release New Expanded-Edition of Robert Rodriguez’s SIN CITY Soundtrack

    The new expanded edition will release on CD and vinyl in March 2026.
    Neil VaggBy Neil VaggFebruary 7, 2026No Comments5 Mins Read
    Sin City (Paramount Home Entertainment)
    (Image Credit: Paramount Home Entertainment)
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    Varèse Sarabande has announced a new expanded CD and digital edition, plus the first-ever vinyl release, of the Original Motion Picture Soundtrack to Robert Rodriguez and Frank Miller’s Sin City. Available for pre-order now, the vinyl release featuring the original soundtrack for the film will arrive on March 27, 2026.

    The soundtrack album features music by Rodriguez, John Debneyand Graeme Revell, who respectively scored the three different chapters to this big-screen adaptation of Miller’s neo-noir comic. The new edition arrives as a widely available “Blood Red” translucent pressing, joined by exclusive limited-edition colour variants from Barnes & Noble, Mondo and Enjoy the Ride. A Deluxe Edition expanded version of the film scorefeaturing the complete original score cues by Rodriguez, Revell and Debney paired with brand-new liner notes will arrive on CD as part of Varèse Sarabande’s beloved CD Club series and make its streaming premiere on April 24, 2026.

    An iconic meeting of acclaimed visual stylist Frank Miller (The Dark Knight Returns, Ronin, 300) and hit cinematic one-man band Robert Rodriguez (Once Upon a Time in Mexico, Machete, Alita: Battle Angel). 2005’s Sin City took adaptations of the graphic medium to the next level with a beyond faithful, blazingly black-and-white film noir portrait of doomed detectives, femme fatales and sordid villains that gave true, all-star life to Miller’s iconically hard-boiled characters. “Sin City’s visuals are as important as the story. That’s what you fall in love with. This would be the first time you’d see Frank Miller’s art move, and that’s what I pitched to him,” Rodriguez says of their breakthrough co-directing effort, joined by special guest director Quentin Tarantino.

    Rodriguez and Miller created a timeless, beautifully sordid cesspool where rock and roll could co-exist with pulsating synths, seething guitars, erotic Spanish percussion and a lush symphony, all dancing and shooting it out to Rodriguez’s atmospheric melodies and expressionism. “What I loved about Sin City was that its noir is post-modern and punk rock. I thought the sound needed to take chances like that too,” he remarks.

    Translating three main Sin City stories—“The Hard Goodbye,” “The Big Fat Kill” and “That Yellow Bastard”—into an interweaving anthology film, Rodriguez knew the high-pressure musical deadline wouldn’t be met by himself alone. His solution was to bring in past composing collaborators Graeme Revell of From Dusk Till Dawn and John Debney from Spy Kids. Given two weeks each, Revell took on “The Hard Goodbye” as Debney scored “The Big Fat Kill.”

    Each composer was walled off from hearing the other’s work. Yet the result was a surprisingly cohesive score, with each segment still reflecting their respective voices—from Rodriguez’s rockabilly grind to Revell’s expressionism and Debney’s lush orchestrations. “Robert really wanted this to be uncolored and unfinished, which is where Graeme and I came in,” Debney says. “That we’re in black and white so much of the time, and then there’s splashes of red, yellow and white was visually musical. It’s that look which dictated what came out of our souls. At first, I wondered how this was all going to work. In hindsight, that was the brilliance of Robert, because he wanted individual ideas. What came out was just spectacular.”

    A box-office smash that redefined the way that Hollywood could boldly capture the energy and rhythm of graphic adaptations, the scoring of Sin City is now unleashed like never before on a two-CD presentation by Varèse Sarabande Records, as supervised by Rodriguez. The first disc collects the original score as heard in Varèse’s initial 2005 release. The second CD presents a remastered, complete presentation of the original score cues by Rodriguez, Revell and Debney that expands the atmosphere-drenched, grittily evocative soundscape of the directors’ modern noir classic. New liner notes feature exclusive interviews with the director and composerson the unique creative process that resulted in a blazingly distinctive noir soundtrack.

    “Sin City remains one of my favorite scores because I’ve always wanted to do something film noir,” Rodriguez says. “It was a game changer because it had geek-centric DNA. No film noir had an opening like this because Sin City had a comic culture behind it. We were being faithful to something that was visually striking in a medium that few other people were using.”

    Vinyl Track List:

    Side A:
    1. Sin City
    2. One Hour To Go
    3. Goldie’s Dead
    4. Marv
    5. Bury The Hatchet
    6. Old Town Girls
    7. The Hard Goodbye
    8. Cardinal Sin
    9. Her Name Is Goldie
    10. Dwight
    11. Old Town

    Side B:
    1. Deadly Little Miho
    2. Warrior Woman
    3. Tar Pit
    4. Jackie Boy’s Head
    5. The Big Fat Kill
    6. Nancy
    7. Prison Cell
    8. Kiss Of Death
    9. That Yellow Bastard
    10. Hartigan
    11. Sin City End Titles

    Deluxe Edition CD & Digital Track List:

    CD1 – Original Motion Picture Score
    1. Sin City (Robert Rodriguez)
    2. One Hour To Go (Rodriguez)
    3. Goldie’s Dead (Graeme Revell)
    4. Marv (Revell & Rodriguez)
    5. Bury The Hatchet (Revell)
    6. Old Town Girls (Revell & Rodriguez)
    7. The Hard Goodbye (Revell)
    8. Cardinal Sin (Revell & Rodriguez)
    9. Her Name Is Goldie (Revell)
    10. Dwight (John Debney)
    11. Old Town (Debney & Rodriguez)
    12. Deadly Little Miho (Debney & Rodriguez)
    13. Warrior Woman (Debney)
    14. Tar Pit (Debney)
    15. Jackie Boy’s Head (Debney)
    16. The Big Fat Kill (Debney)
    17. Nancy (Rodriguez)
    18. Prison Cell (Rodriguez)
    19. Kiss Of Death (Rodriguez)
    20. That Yellow Bastard (Rodriguez)
    21. Hartigan (Rodriguez)
    22. Sin City End Titles (Rodriguez)

    CD2 – Complete Original Film Mixes
    1. Descent Love Theme (Rodriguez/Johnny Reno)
    2. Helluva Way To End A Partnership (Rodriguez)
    3. Fair Trade (Rodriguez)
    4. The Perfect Woman (Revell)
    5. Lucille (Revell)
    6. All Or Nothing Days (Revell)
    7. Aimed Too High (Revell)
    8. Worth Dying For (Revell)
    9. That Cold Thing (Revell)
    10. A Face And A Name (Revell)
    11. He Made Me Watch (Revell)
    12. Marv Unleashed (Revell)
    13. Dwight & Shelley (Debney)
    14. Jackie Boy & Beckie (Rodriguez)
    15. Pez Dispenser (Debney)
    16. Dwight’s Theme (Debney)
    17. Jackie Boy Rides Shotgun / Warning (Debney & Rodriguez)
    18. Shattered Truce (Debney)
    19. Silence Now (Rodriguez & George Oldziey)
    20. Yeesh (Debney & Rodriguez & Oldziey)
    21. Miho (Debney)
    22. Bigger Fatter Kill (Debney & Rodriguez)
    23. Liebowitz (Rodriguez)
    24. Kiss Me Deadly (Rodriguez & Oldziey)
    25. Recognize My Voice? (Rodriguez)
    26. Latin Gypsy Princess (Rodriguez)
    27. Death Of A Bastard (Rodriguez)
    28. An Old Man Dies (Rodriguez)

    Graeme Revell John Debney Robert Rodriguez Sin City (2005 Film) Varèse Sarabande
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    Neil Vagg
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    Neil is the Editor-in-Chief at GYCO. He has a BA in Film & TV and an MA in Scriptwriting; he currently works 9-5 in an office and 5-9 as a reviewer. He has been reading comics for as long as he can remember and is never far away from any book which has the word Bat in the title.

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