Close Menu
    Facebook X (Twitter) Instagram
    Get Your Comic On
    Facebook X (Twitter) Instagram YouTube
    • Hot Topics
      • Avengers: Doomsday (2026)
      • BOOM! Studios
      • Buffy the Vampire Slayer
      • Dark Horse
      • DC Comics
      • IDW Publishing
      • Image Comics
      • Marvel
      • Power Rangers
      • Spider-Man: Brand New Day (2026)
      • Star Trek Universe
      • Supergirl (2026)
      • Teenage Mutant Ninja Turtles
      • Titan Comics
      • Tomb Raider
      • Transformers
      • Universal Pictures
    • Features

      Kara Races to Save Krypto in New Hi-Res SUPERGIRL Trailer Stills

      March 31, 2026

      To Boldly Go… Where? STAR TREK at 60 and the Big Screen

      March 31, 2026

      Breaking Down the First SPIDER-MAN: BRAND NEW DAY Trailer

      March 18, 2026

      A Guide to Mortal Kombat II (2026)

      March 16, 2026

      Who’s Who with the Cast of THE SUPER MARIO GALAXY MOVIE

      March 10, 2026
    • Comics

      POISON IVY (2022-) #43 Review

      April 1, 2026

      BATMAN (2025-) #8 Review

      April 1, 2026

      ABSOLUTE SUPERMAN (2024-) #18 Review

      April 1, 2026

      ROYALS (2026-) #1 Review

      April 1, 2026

      Ahead of the Release of Retrospective Book CARBON BASED Artist Lewis LaRosa Debuts Explosive FORT PSYCHO Covers

      March 28, 2026
    • Film

      Studiocanal Confirms Home Premiere and Release Plans for Action-Comedy COLD STORAGE

      April 2, 2026

      James Sweeney’s TWINLESS Coming to Digital Platforms in the UK This April

      April 2, 2026

      THE DESCENT Returns to Haunt Viewers with New 4K UHD Steelbook Edition in June 2026

      April 2, 2026

      Level Select: Our Favourite & Least Favourite Game Adaptations

      April 1, 2026

      Kara Races to Save Krypto in New Hi-Res SUPERGIRL Trailer Stills

      March 31, 2026
    • TV

      To Boldly Go… Where? STAR TREK at 60 and the Big Screen

      March 31, 2026

      Colin Stetson’s SOMETHING VERY BAD IS GOING TO HAPPEN Soundtrack Set for Vinyl Release

      March 28, 2026

      Patrick Stewart’s Admiral Uniform and an Iconic Captains Chair go on Display at London’s Science Museum

      March 27, 2026

      HBO Max Debuts Magical First Look at HARRY POTTER AND THE PHILOSOPHER’S STONE

      March 25, 2026

      DAREDEVIL: BORN AGAIN Season 2 Review

      March 25, 2026
    • Culture
      • Anime
      • Collectibles
      • Conventions
      • Gaming
    • Podcast
    • Interviews

      SENTENCED TO BE A HERO- Emi Lo & Dawn M. Bennett Talk Anime Fandom, Voice Acting & Series Highlights (EXCLUSIVE)

      March 30, 2026

      FRIEREN: BEYOND JOURNEY’S END Cast Talk Iconic Tantrum Scene, Season Two’s Hype & Character Growth (EXCLUSIVE)

      March 30, 2026

      JUJUTSU KAISEN- Adam McArthur & Kaleigh McKee Talk Upping The Ante In Season 3 & Fan Hype (EXCLUSIVE)

      March 29, 2026

      Writer Bill Wood Reveals All About New Novel ‘Be Right Back’ (EXCLUSIVE)

      March 20, 2026

      Director Mamoru Hosoda Talks Animating & Developing SCARLET (EXCLUSIVE)

      March 13, 2026
    • Directory
    Get Your Comic On
    Home»Film»Film Review»HELLBOY review
    Film Review

    HELLBOY review

    Neil VaggBy Neil VaggApril 14, 2019Updated:September 1, 2021No Comments6 Mins Read
    Hellboy (2018)
    Share
    Facebook Twitter Pinterest Reddit WhatsApp Email

    Hellboy stars David Harbour as Hellboy, Ian McShane as Trevor Bruttenholm, Milla Jovovich as Nimue, Sasha Lane as Alice Monaghan, Penelope Mitchell as Ganeida and Daniel Dae Kim as Ben Daimio.

    The movie is directed by Neil Marshall and is in cinemas worldwide now.

    Synopsis

    Hellboy is back, and he’s on fire. From the pages of Mike Mignola’s seminal work, this action packed story sees the legendary half-demon superhero (David Harbour, “Stranger Things”) called to the English countryside to battle a trio of rampaging giants. There he discovers The Blood Queen, Nimue (Milla Jovovich, Resident Evil series), a resurrected ancient sorceress thirsting to avenge a past betrayal. Suddenly caught in a clash between the supernatural and the human, Hellboy is now hell-bent on stopping Nimue without triggering the end of the world.

    Review

    So here is a film which is going to split the audience, potentially right down the centre. On the one side a cult level audience of B Movie lovers and possible Hellboy diehards may find enough to enjoy about Neil Marshall’s reboot to keep its memory alive for years to come.

    On the other side there will be those critical voices, the ones who enjoy only the purist form of the character but also those who fail to see past the various cracks that run throughout this movie.

    Until seeing this movie I very much fell on the side of enthusiasm. I thought the trailers looked interesting: plenty of humour; some high stakes action, the CGI was passable but admittedly not tentpole quality but I felt that on the whole there was a lot to appreciate.

    Upon hearing the $50M price tag it put the idea of the lower quality CGI in to perspective for me and also brought up a common place argument with friends: with a lower budget do you reduce the need for CGI in your script? Or do you shoot for the stars and do the best you can?

    Hellboy very much aims to do the best it can whilst shooting for the stars. The movie features a tonne of practical effects which are excellent. The creature makeup is of an incredibly high standard. Harbour looks great as Hellboy, not looking too much like Perlman but also not too dissimilar to loose the character.

    Baba Yaga looks outstanding. Played visually by Troy James (recently seen as Rag Doll on The Flash) and voiced by Emma Tate. She represented in suitably creepy fashion and kudos for the fact she is almost entirely practical. It adds a layer to extra horror to proceedings that visual effects can sometimes ruin.

    Fully CGI creatures like Camazotz also look great in isolated moments. But when the action goes large scale with multiple monsters attacking the streets of London it tends to loose its authenticity.

    What I’m trying to say is points for effort but perhaps lowering the scale might have made the movie overall a more successful entity.

    The story of Hellboy is where I find my biggest issues. There is loosely – and I mean very loosely – a narrative which runs throughout the movie. It’s the story of Nimue The Blood Queen (Milla Jovovich) and something to do with why she was sliced up by King Arthur and put back together in the present day.

    Therein lies the problem. All of the characters in Hellboy seem to have found their motivation before the movie starts. Imagine walking in part way through a movie and not being able to catch up on why the characters are doing what they are doing. That is Hellboy.

    There isn’t a single character in the main plot who is given the time to explore their motivations yet there are plenty of flashbacks. We get to see how Nimue was sliced up, when Hellboy was first conjured and even how Ben Daimio was scratched and became a monster in his own right.

    Instead of giving context to almost all the scenes in the movie instead what we get is two hours of individual scenes with very little connective tissue. This flashback leads to this person travelling to this location which triggers a flashback to this moment in history. It’s all very wooly.

    Some scenes in isolation are enjoyable: the flashback to the night Hellboy arrived on Earth features from great costume design and feels very true to his comic origin. Equally enjoyable is the sequence in the Osiris Club with Lady Hatton (pre-giants), this scene shows there’s a movie inside this mess which is trying to break out.

    The action sequences are also, on the whole, up to scratch aside from CGI blood spatter. I wonder if there was no blood used on set in case the studio pushed for a lower rating and when it was decided to go adult they added it in digitally. Either way it can often be a little distracting.

    The same goes for almost the entire of act three back in London. Though some shots feature an impressive scale the movie wraps up all too fast leaving Hellboy, Alice and Ben to celebrate whilst London burns down around them.

    It’s moments like this where the movie becomes all too abrupt. Much like the cold opening set in Arthurian times and essentially every other subplot in the movie.

    It’s hard to understand what the logic was behind either the pacing choices or the timeline of the script. Neither seems to be aware of what the final outcome will be so it culminates in a lack of anything substantial.

    The casting is thankfully much more solid. David Harbour is a solid choice to play Hellboy, he has some good chemistry with Ian McShane who is also well cast as Professor Broom. Hats off to Daniel Day Kim for managing to do a lot with very little as Ben Daimio also.

    In terms of the main cast the two weak links for me are Milla Jovovich and Sasha Lane. For some reason Lane is relegated to just saying “f**k” at the start of every sentence as if that is something us Brits regularly do.

    Jovovich is also given very little to do as she is often either dismembered or being dismembered/put back together. There’s very little time for her to use her strong physicality to bring any sense of strength or substance to Nimue. There was plenty more which could have been done with her character if they had only thought to include her in more of the movie.

    Verdict

    Though not entirely unwatchable Hellboy suffers from some heavy pacing issues and an inconsistent story. David Harbour is well cast in the lead role with many strong supporting players but overall they are unable to lift writer Andrew Cosby’s script out obscurity.

    4/10

    https://www.youtube.com/watch?v=Te4vD0hth-s

    You can find all our Hellboy coverage of the movie over at our movie hub.


    Follow us on Facebook, on Twitter @GetYourComicOn, or on Instagram at GetYourComicOn. If you have a story suggestion email [email protected].

    Hellboy Hellboy (comics) Lionsgate
    Share. Facebook Twitter Pinterest LinkedIn WhatsApp Reddit Email
    Neil Vagg
    • Website
    • X (Twitter)

    Neil is the Editor-in-Chief at GYCO. He has a BA in Film & TV and an MA in Scriptwriting; he currently works 9-5 in an office and 5-9 as a reviewer. He has been reading comics for as long as he can remember and is never far away from any book which has the word Bat in the title.

    Related Posts

    Lionsgate Gives First Look at GHOSTS: THE POSSESSION OF BUTTON HOUSE

    March 17, 2026

    Screenwriter Billy Ray Gives Us The First Word On THE HUNGER GAMES: SUNRISE ON THE REAPING

    March 10, 2026

    Mike Mignola’s HELLBOY: SEED OF DESTRUCTION #1 Returns with Facsimile Reprint

    February 23, 2026

    JOHN WICK is Coming to PlayStation 5 in New AAA Game from Saber

    February 13, 2026

    Jennifer Lawrence and Josh Hutcherson Confirmed for THE HUNGER GAMES Return

    December 11, 2025

    The Hunger Games Return in First Trailer for 2026’s SUNRISE ON THE REAPING

    November 20, 2025
    Latest

    Studiocanal Confirms Home Premiere and Release Plans for Action-Comedy COLD STORAGE

    April 2, 2026

    James Sweeney’s TWINLESS Coming to Digital Platforms in the UK This April

    April 2, 2026

    THE DESCENT Returns to Haunt Viewers with New 4K UHD Steelbook Edition in June 2026

    April 2, 2026

    POISON IVY (2022-) #43 Review

    April 1, 2026

    BATMAN (2025-) #8 Review

    April 1, 2026
    Latest Podcasts
    Film News

    Level Select: Our Favourite & Least Favourite Game Adaptations

    By Neil VaggApril 1, 2026
    News

    Buffy staked, Firefly Rises + The Bride! and Hoppers…

    By Neil VaggMarch 18, 2026
    News

    Dissecting SCREAM 7

    By Neil VaggMarch 11, 2026
    News

    The Week in Pop Culture feat. WUTHERING HEIGHTS

    By Neil VaggFebruary 18, 2026
    News

    LOONEY TUNES: THE DAY THE EARTH BLEW UP Podcast Discussion

    By Neil VaggFebruary 4, 2026
    X (Twitter) Instagram YouTube TikTok Facebook LinkedIn
    • About
    • Privacy Policy
    • Terms of Use
    • Community Guidelines
    • Directory
    • Pitch to Us
    • Advertise
    GetYourComicOn.co.uk is a property of Get Your Comic On Ltd. © 2026 All Rights Reserved. Images used on this website are registered trademarks of their respective companies/owners.

    Type above and press Enter to search. Press Esc to cancel.